SEARCH RESULTS FOR: Jules Verne Allen
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(Guitar, vocals, 1883–1945) Jules Verne Allen was significant among early singing cowboys in that he had actually been a working cowboy. After years of trail driving he became a professional cowboy singer in an era when such a thing scarcely existed. In addition to radio, he recorded 24 sides for Victor during 1928–29. In 1933–34, he led ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

c. 1490–1545 English composer Taverner’s career fell entirely within the reign of Henry VIII. Apparently on good terms with the king’s most powerful ministers (first with Wolsey and then with Cromwell), he must have been an astute politician. Most of his music, which is thought to have been composed mostly in the 1520s and 30s, is firmly in the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Jool Mas-na’) 1842–1912 French composer Shortly after his first operatic success with Le roi de Lahore (‘The King of Lahore’, 1877) Massenet became professor at the Paris Conservatoire; he was subsequently elected to the French Academy instead of his rival Saint-Saëns. Massenet’s 28 operas include several enduring masterpieces: Manon (1884) remains one of the most popular French Romantic operas, while Werther ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Trumpet, 1908–67) The son of bandleader Henry Allen Sr., Henry ‘Red’ Allen was one of the greatest trumpeters to come out of New Orleans, although he remained eternally in the shadow of Louis Armstrong. He moved to New York in 1927 to join King Oliver’s Dixie Syncopators and in 1929 the Victor label signed him as an answer ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, b. 1957) Raised in Detroit, pianist-composer Allen emerged in New York City with older midwestern avant-gardists such as Lester Bowie and Oliver Lake, and hometown colleagues including saxophonist Kenny Garrett. Her albums feature elusive but lyrical compositions for small ensembles. She toured briefly and recorded Feel The Fire (1993) with singer Betty Carter, and has worked ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, 1924–2003) Rosalie Allen was one of a number of western stars who called New York home, for despite being seemingly removed from anything remotely western, the city boasted a thriving scene. Born Julie Bedra in Pennsylvania, Allen idolized Patsy Montana and became an adept yodeller. From 1943, she was a star on New York radio. ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, guitar, 1930–93) After three years of pioneering three-part ‘high-lead’ harmonies with The Osborne Brothers, Red Allen split with his Ohio pals, convinced he could be a bluegrass star in his own right. He and another Dayton friend, mandolinist Frank Wakefield, moved to Washington in 1960 and recorded with musicians such as Chubby Wise and ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, actor, narrator, 1920–99) The last of the singing cowboys, Arizona-born Rex Allen made 19 movies for Republic before the genre ended with his The Phantom Stallion (1954). His powerful voice ensured several chart successes – the highest being ‘Crying In The Chapel’ (1953) – and a long career as a narrator for several Disney documentaries. The ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Vocals, piano, songwriter, b. 1943) This Texas-raised musician, sculptor and playwright is an American original. His left-of-centre songs about the road and life’s characters have created a cult following via such albums as Juarez (1975), Lubbock (On Everything) (1979) and Human Remains (1995). ‘New Delhi Freight Train’ and ‘Amarillo Highway’ are his most covered songs. ​Styles & ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1842–1912, French The son of a businessman, Jules Massenet had a musical mother and was admitted to the Paris Conservatoire at the age of 11. He had a prolific career with varying degrees of success, but above all he became reputed for his orientalist excursions, his brilliant musical projection of the female character, and the ability ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Manon and Werther have become Massenet’s most frequently performed operas, but several others are gaining ground, among them Hérodiade, Thaïs, Sapho, Cendrillon, Grisélidis, Chérubin and Don Quichotte, all recently revived. Both Manon and Werther – and the other operas as well – are about relationships. The tale of Manon explores a theme that ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

In comparison to Manon, Werther is the romantic dreamer, totally lost as he sees his beloved Charlotte marry another man. But his music – a seductive, rocking melody where he and Charlotte at once express the strength of their love and the necessity to deny it in the face of social pressure – etches itself on the audience’s ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1944 English baritone Allen’s early career was spent with the Welsh National Opera, in works ranging from Mozart to Britten. He made his Covent Garden debut as Donald in Britten’s Billy Budd in 1971, and his Metropolitan Opera debut as Papageno (The Magic Flute) in 1981. He appeared at English National Opera as Busoni’s Faust in 1986 and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Vocals, b. 1985) Daughter of comedy actor Keith Allen, Lily has gone on to surpass her father’s success with two platinum-selling albums in the Noughties. Allen blends British pop with elements of ska and R&B. That, coupled with acerbic observational lyrics brought her to prominence with her 2006 debut Alright, Still and UK chart-topping single ‘Smile’. The ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

‘Mad World’, 2003 Gary Jules had recorded as a solo artist since 1998, but in 2001 he collaborated with Michael Andrews to cover Tears For Fears’ ‘Mad World’. The sombre remake was featured in 2003’s hit film Donnie Darko, and the appeal of the film, coupled with the song’s popularity and Jules’ strange choice of cover, made ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley
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